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BAPS Shri Swaminarayan Mandir, London
BAPS Shri Swaminarayan Mandir, London

What is a Mandir?
Mandir is the Hindu name for a place of worship or prayer. Mandir is a Sanskrit word for where the mind becomes still and the soul floats freely to seek the source of life, peace, joy and comfort. For centuries, the mandir has remained a centre of life – a common community place where people forget their differences and voluntarily unite to serve society.

   

BAPS Shri Swaminarayan Mandir, London
BAPS Shri Swaminarayan Mandir, London

Why Do We Need Mandirs?
Every religion in its own tradition builds houses of worship. It is the mandir that fuels our faith in God, strengthens our society and teaches us to trust one another and to become trustworthy.
Schools will educate the mind, but who will educate the soul? Hospitals will mend a broken arm, but who will mend a broken heart? Cinemas and arcades will excite the mind, but where will one go for peace of mind?
A Mandir is a centre for learning about man, nature and God. It is where ethics and values are reinforced. It is where people celebrate festivals and seek shelter in sad times. It is where talents in various arts – music, literature and sculpture, etc. – are offered in the service of God.

   

Pramukh Swami Maharaj performs Shilanyas Ceremony, 1991
Pramukh Swami Maharaj performs Shilanyas Ceremony – 7 July 1991

 

 

Vastupurush for foundation stone-laying ceremony in the science of mandir design
Vastupurush for foundation stone-laying ceremony in the science of mandir design

Science of Architecture  
From conception to completion, the Hindu ethos for building a mandir requires that nature is appeased through various rites performed during the different stages of the mandir construction.


Khatmuhurt – The land is first inspected and its soil tested for suitability for the structure proposed. The actual ritual involves the paying of homage to the land and performing prayers to seek permission of earth to disturb its natural state for construction.

Shilanyas – The foundations are first dug and below the garbhagruha, a small pot containing sacraments is ceremoniously placed. This creates an awareness that nature is a dynamic ecosystem and man is to live harmoniously with other life forms.

The Hindu mathematician sees within the design a complex pattern of mathematics and geometrics that link the mandir to the universe and its component stars, planets and galaxies. Underneath the intricate artistic sculpture lies the foundation of regular shapes. Hence, the birth of geometry and numeracy arose from the need to build mandirs of perfect proportions.

Traditionally, all the masonry of such a mandir is loadbearing in itself, with no reinforcement from ferrous metals, such as steel in its foundation or structure. This in itself extends the life of the mandir to over a thousand years due to absence of erosion through temperature variations or corrosion of steel. The cantilevered dome is believed to be the only one in Britain that does not use steel or lead. The ferrous metals concentrate the earth's magnetic field, which impedes meditation.
   

BAPS Shri Swaminarayan Mandir, Bharuch, Gujarat, India
BAPS Shri Swaminarayan Mandir, Bharuch, Gujarat, India

BAPS Shri Swaminarayan Mandir, Amdavad, Gujarat, India
BAPS Shri Swaminarayan Mandir, Amdavad, Gujarat, India

BAPS Shri Swaminarayan Mandir, Mahelav, Gujarat, India
BAPS Shri Swaminarayan Mandir, Mahelav, Gujarat, India

BAPS Swaminarayan Hindu Mandirs  
As part of His divine mission to elevate society and re-establish spirituality, Bhagwan Swaminarayan inspired the building of six magnificient mandirs throughout Gujarat in the space of seven years (1822-1829). In the tradition of the Bhakti movement, He built large three-pinnacled mandirs known as shikharbaddh mandirs. The murtis of God and His ideal devotee were installed in mandirs at Amdavad, Bhuj, Vartal, Dholera, Junagadh and Gadhada. These mandirs helped the masses offer devotion to God. These mandirs emerged as ideal models of Hindu art and architecture since they depicted Hindu thought and philosophy in the rich wall paintings and carvings.

After the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha was formally established by Shastriji Maharaj in 1907, BAPS Swaminarayan mandirs were erected to foster the worship of God with the ideal devotee in Bochasan, Sarangpur, Gondal, Atladra and Gadhada.

These Swaminarayan mandirs are a rare gift in today's age. They serve as ideal examples of spiritualism coupled with art and architecture. They are centres of peace and worship, hope and inspiration. With their inherent peace and purity, they represent abodes of love, peace and harmony for the devotees. Today, these mandirs are visited daily by thousands of people who come, pray, worship and receive divine inspiration.

   
Bhagwan Swaminarayan (center), Aksharbrahma Gunatitanand Swami (left) and Gopalanand Swami (right) at Shri Swaminarayan Mandir, London
Bhagwan Swaminarayan (centre), Aksharbrahma Gunatitanand Swami (left) and Aksharmukta Gopalanand Swami (right) at BAPS Shri Swaminarayan Mandir, London

Concept of Murtis  
When a Hindu visits a mandir, he or she goes there for 'darshan' which loosely translated means 'seeing' of the sacred murtis (images). However, to the initiated, it has a more profound meaning and implies being in close proximity with God and beholding His divine form. Murti puja has always been synonymous with the Hindu tradition and for thousands of years, Hindus have practiced the adoration and reverence of sacred murtis as a form of devotion.

In order to appreciate this unique form of devotion, one needs to look at the philosophy and mystique pertaining to murti puja. The ancient sages, realizing the difficulties in controlling the mind sanctioned murti puja to enable devotees to focus on a murti – a medium aiding concentration. In the Bhagwad Gita (12/5), Shri Krishna strengthens this point by stating that it is difficult for those whose minds are attached only to the impersonal aspect of the Supreme to make spiritual progress.

   
Shri Ghanshyam Maharaj at Shri Swaminarayan Mandir, London
Shri Ghanshyam Maharaj
at BAPS Shri Swaminarayan Mandir, London 

Details & Significance of Murtis in Mandirs
The Swaminarayan Sampraday is committed to pure worship, high ideals and lofty thoughts. To promote true upasana (mode of worship), Bhagwan Swaminarayan constructed six towering mandirs installing in them murtis of various deities, thus giving impetus to the practice of murti puja. With reference to this, Bhagwan Swaminarayan has said, "In order that devotion to God may flourish, I have erected mandirs installing in them the murtis of God. Even if this may lead to a slight relaxation in renunciation, it will uphold devotion to God and thus redeem many souls." (Vachanamrut Gadhada II-27).

Learn more about murtis

   
Pramukh Swami Maharaj performs the murti-pratishtha, London mandir
Spiritual leader of BAPS Swaminarayan Sanstha, Pramukh Swami Maharaj performs the murti-pratishtha at BAPS Shri Swaminarayan Mandir, London
20 August 1995

Murti Puja
From the brilliant mind and soul of Adi Shankaracharya to the simple village farmer, murti puja – image worship – is firmly entrenched in the daily lives of all Hindus through countless generations of fruitful worship. The hundreds of thousands of mandirs, large and small, scattered over the Indian subcontinent, are visited daily by tens of millions of the faithful.
The advent of the industrial age and the rise of science as a supposedly omniscient superpower created a parallel disregard for things spiritual. Unexplainable phenomena of supernatural implications were denounced as primitive beliefs or plain heathenism. It has been overlooked that advancement in one field of human interest does not necessarily initiate degradation or confirm the untruth of another field.
The bafflement of many who first behold the array of Hindu murtis springs from the deep-rooted Western antagonism to imaging the Divine at all.
However, worship of God through belief in His presence in an image is considered to be one of the foremost aids to spiritual realization in Hinduism.

   
The Arti
The Arti
Arti  
The innermost calling of the soul, the arti is the waving of lighted wicks before the deities in a spirit of humility and gratitude, wherein faithful followers become immersed in God's divine form. It symbolises the five elements: 1) space (akash), 2) wind (vayu), 3) light (tej), 4) water (jal), and 5) earth (pruthvi). Communal arti is performed in the mandir; however, devotees also perform it in their homes.
   
Thal being offered to Shri Harikrishna Maharaj
Thal being offered to the image of God Shri Harikrishna Maharaj
Thal  
Thal is the offering of vegetarian food to the murtis on a regular basis throughout the day. In essence, reciprocating our love for God by offering food in a spirit of supreme reverence and dedication. Thal is offered with accompanying prayers imploring the deities to partake of and sanctify the food.
   
Offering of Annakut on New Year's Day
Offering of Annakut on Hindu New Year's Day

Prasad  
This can be translated as sanctified food or any offering made to God according to one's capacity. As God is all-merciful, it is not necessary that offerings need to be lavish for it is stated in the scriptures "Patram, pushpam, phalam, toyam... " – One may offer a leaf, flower, fruit or even water with devotion. It is the sentiment behind the offering that is of importance rather than the actual offering.

   

Abhishek
After renouncing his home at the tender age of 11, Bhagwan Swaminarayan commenced a journey of spiritual awakening across the length and breadth of India – during which he came to be known as Nilkanth Varni. Barefooted, Nilkanth walked alone covering 12,000 kilometres over 7 years.

As a tribute to his divine sojourns, on Monday 6 September 2004, His Holiness Pramukh Swami Maharaj installed the murti of Bhagwan Shri Nilkanth Varni at Shri Swaminarayan Mandir, Neasden.

Abhishek is a special ceremony in which the sacred image of God is bathed with water (or on special occasions with panchamrut – a mixture of five items: milk, yogurt, honey, sugar and ghee).

Sanctified water from the sacred rivers of India is poured from a small copper vessel on to the deity. The steady trickle of water signifies our devotion towards God which should ideally be continuous and everlasting.

During the ceremony, the worshipper also offers prayers to God for his/her inner wishes to be fulfilled and for his/her mind to be purified.


   
 
 
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